![]() ![]() ![]() We learn that Rask is that rarest of creatures, a wealthy man without appetites. Morgan and Charles Schwab, men whose DNA was made of strands of ticker tape. The opening section is imagined as a novel-within-a novel, entitled Bonds, a 1937 best-seller about the rise of a Wall Street tycoon named Benjamin Rask. Trust is all about money, particularly, the flimflam force of money in the stock market, and its potential, as a character says, "to bend and align reality" to its own purposes. That word "trust" in both their titles is a tip-off that that's exactly what we readers shouldn't do upon entering these slippery fictional worlds. Susan Choi's 2019 novel, Trust Exercise, about the misleading powers of art and memory, is one recent instance now, Diaz's Trust is another. But sometimes these metadramatic maneuvers serve a novel's larger themes. Author Hernan Diaz talks about the ability money has to distort reality in his book Trust, laying out four different sections in his book for readers to piece together and using the same. When a work of fiction reminds me that it is a work of fiction simply to show me how gullible I am, well, thanks, I knew that already. Hernan Diaz’s Trust, like his Pulitzer-finalist debut In the Distance (2017), is historical fiction that thrums with the energy of today’s crises. Take the opening section: You settle in, become absorbed in the story and, then, 100 pages or so later - Boom! - the novel lurches into another narrative that upends the truth of everything that came before. ![]() Trust by Hernan Diaz is one of those novels that's always pulling a fast one on a reader. ![]()
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